As I’ve written before, though, drones simply are remotely piloted aircraft (or watercraft). By themselves, they are not very useful tools. What actually makes them useful is that they are mobile platforms for sensors, which can collect data to guide reportage. Cameras are just one of a multitude of sensors that drones can carry into the sky.
What kind of additional sensors could you use on a drone? It’s probably easier to ask what exactly you want to measure in the environment, and then find a sensor to fit the application.
Lately I've found myself blogging for the International Symposium on Technology and Society, or ISTAS. It's an annual conference sponsored by IEEE (the Institute of Electric and Electronic Engineers), which as its name suggests, focuses on the impact that evolving technologies have on everyday life.
This year's conference will pay special consideration to the future of the smart infrastructure and surveillance:
In a world of smart things like smart lights, smart toilets, smart grids, smart meters, smart roads, and the like, what happens when you have "smart people" (i.e. put sensors on people)?
What do we make of the growing numbers of businesses like department stores and restaurants that prohibit cameras, yet display QR codes that require cameras to read and understand?
It's not just about surveillance, either. Surveillance has a specific meaning, which refers to observing people or objects from an elevated position.That means surveillance is conducted by law enforcements and governments. Sousveillance, on the other hand, means observing or recording from below. When average citizens, as opposed to the government, do the recording, that's sousveillance.
How about droneveillance? Unlike fixed cameras, drones are highly mobile platforms for a variety of remote sensing devices. They're agile, relatively silent (depending on the altitude), and can even fly indoors. They've gotten especially smart at negotiating obstacles and mapping unfamiliar terrain, and they can work as a team to provide comprehensive monitoring.
Let’s say you’re a journalist and you want to record an important event taking place over an extended period, say 12 to 72 hours. Or even a week, or longer. If you want to record the event with video, that’s far too long to expect anyone to watch it in its entirety.
You can, however, record the whole thing and use some kind of time compression in post-production software. But if you’re recording on high definition video, you can only expect to record about four hours on a 32 gigabyte SD card. Even if you manage to capture 12 or 72 hours of high-definition video using a hard drive, it’s going to be hard to work with such a big file.
The solution is time-lapse photography, which simply means taking photos at regular intervals and turning them into individual frames on a video. During hurricane Sandy, a number of news sites and tech-savvy citizens used a time-lapse photography to document the storm's impact on New York City (below). If you’re not in a hurricane-prone area, you can find other weather-related applications for this technique, such as recording a flood-prone area during a storm.
Of course, you could just as easily record important non-weather events, such as big construction projects, or traffic on a bottlenecked road. Compressing these large-scale but slow-moving events into a one or two-minute clip makes for dramatic video.
At its most basic, you only need two things to pull off a time-lapse video. You’ll at least need a camera equipped with an intervalmeter (a fancy way of saying it can be programmed to take photos at regular intervals), and software to turn the photos into videos.
A camera battery will only last so long, though. If you’re hoping to capture an event longer than three hours, you’ll probably have to rig up an external power supply. This power supply can be as simple as a motorcycle battery hooked up to a voltage regulator, or it can be a sophisticated, computer-controlled lithium polymer setup with photovoltaic (solar) cells. Then there’s the matter of finding a memory card of sufficient size, and a mounting solution with sufficient stability.
Simple is better. If you’ve got drone journalism equipment lying around as I do, you likely already have all the requisite components to make a great time-lapse video. The following is a breakdown of my own experiment in time-lapse photography, which you can replicate or modify to suit your own needs.
